Tuesday, 30 November 2010

Stopping Time

The Concept:

The Initial Stage was to think of an aspect relating to time that you wanted to further explore.  My Initial thought was to look into vintage and second-hand clothing and the time in which it gets passed down from owner to owner and the stories it tells as a result of this.  I then however started looking through old photographs i have of my mum and grandparents and the clothes they were wearing however became more interested in the photographs themselves.  I therefore changed my initial starting point to be the range of photos that i have found and in particular the colours within them. 








As the aspect to be exploring in this project is painting and as i have never really painted with oils before, i thought a key aspect and starting point to my work would be the surfaces i would be painting onto.  I therefore decided to create very textured surface that would match some of the earthy textures in the photographs and become something to further explore.

These are the surface swatches i created exploring the different surfaces i could make with the materials i had available to me


Close-up of the Surface Swatches



As a result of not knowing how oils work and how to use them, i thought it would be essential to start exploring their properties and how to mix the colours i would be needing.  So i created these colour charts trying to mix the colours that appear in some of my photographs.

What i thought would just be a simple yet essential development stage in my work ... actually turned out to be very unique small pieces of work in themselves



I then at that stage tried painting with the oils onto my surfaces to ensure the oil paints would actually paint onto all of the different surfaces i had created initially ... which they did


Close-up of the surface swatches with samples of colours



Once i had explored surface and created the initial colour swatches, i decided to further develop the painting aspect by focusing on one particular image at a time.  In order to do this i split an image into 1cm squares and exploded the outwards onto paper.  This allowed me to further analyse the colours within the image.

What i felt would be something to work from and produce work on as a result of it's existance ... actually turned out to be an idea that i could decide to further develop within itself.

This is one of the exploded images 



Once viewed from further away ... each square shows an individual colour that is coming through more than the others.  This then gave me the idea to take the prodominant colour from each square and re-produce this colour in paint to paint the image ... but in a different way



This is a colour chart showing my experiments of mixing the colours for the images



This is the first painting.  Working onto book paper with PVA as a base and the squares apart from one another



These are the second and third paintings i produced on Graph Paper with PVA as a primer.  Experimenting with the same colours and background but different sizes of coloured squares



The outcomes i feel slightly resemble pixelated versional of the origional image



My Studio space at the end of the week



My Studio space at the end of the week



Friday, 12 November 2010

The Disappearance Video

The Concept

To Create a video in which you disappear.  To think about using and incorporating some of the camera techniques previously explored and develop into a 30 second video.  I decided to use stop motion animation as i have really enjoyed experimenting with it in the previous smaller projects.  I based the idea upon disappearing in the woods as I live next door to a nature reserve which at night can be very sinister and eerie looking.  Because of this I also decided to use different exposures to create artificial darkness when actually it was shot in broad daylight, and this is the result ...

Tuesday, 9 November 2010

The Disappearance - Further developed

The Concept:


To use alginate rubber and Lighting to create an eerie stop-motion animation of myself appearing and disappearing into the darkness...






The Disappearance

The Concept: 

To Create Portrait photographic images exploring the theme of Disappearance.  Explore the theme by using lighting, home-made camera lenses and adapters, body language, adding to the body etc...


Digital Pinhole


Digital Pinhole lighting with lamp


Digital Pinhole with movement


Digital pinhole with movement


Digital Pinhole with multiple Pinholes


Lit from behind with a pinhole mask lightly covering the lens


Lit from side with colour filter


Lit slightly from side with coloured filter


Lightly lit with cold colour filter


Softly lit with Acetate Attachment

Very Softly lit from behind


Pushing Glass against the face


Lit from behind with Pinhole mask covering lens


Only just lit from behind with pinhole mask covering lens
 

Casting Shadows across sheets


Camouflage


Blending in to the surroundings


Covering facial features


Lit Book Paper mask


Softly lit Book Paper Mask


Video Exploring shutter speed and Lighting

Projecting onto the face


Projecting onto the face